Goldie Gabbana AKA Geezo drops his highly anticipated single “In & Out”. The Jersey native hailing from Burlington County takes you and an immersive speaker knocking track that will have you pressing the replay button for sure! This track like many to come was completely produced & arranged by Goldie.

This is the first single from an EP that has been in the work for 2+ years. Coming off his last project “The Difference Is Super”. This single is a continuation of Geezo’s hard work and dedication to his craft.

Goldie explained to us his life hasn’t been smooth sailing the last couple of years. He was dealing with legal troubles, online battles, and even facing homelessness while making this project.

Staying locked in wasn’t easy, but making it out the storm has given him a new found purpose in life and this is phase 1 of the transformation.

In the following months, you can expect new music videos, reels, and merch dropping late December.

Connect:

https://www.instagram.com/goldiegabbana

Independent artist and entrepreneur Stevieontay Burnz prepares to release Burnz and Beyond, a new project built around cannabis culture, ambition, independence, and the real-life experiences behind The Southern Maryland Experience (The Experience Dispensary)

Stevieontay Burnz is bringing together two worlds that have become inseparable from his story: music and cannabis culture.

The independent artist, entrepreneur, and founder of The Southern Maryland Experience (The Experience Dispensary) is preparing to release his new album, Burnz and Beyond, a project that takes listeners deeper into the lifestyle, business, and experiences that have shaped both his music and his growing brand.

Rather than separating the artist from the entrepreneur, Burnz and Beyond puts both sides of Burnz on full display.

The album draws inspiration from his experiences building The Southern Maryland Experience, navigating the independent music industry, developing cannabis products and brands, and continuing to push forward through the challenges that come with entrepreneurship.

From The Southern Maryland Experience to Burnz and Beyond

Founded under Unlimited Experience Holding Company LLC, The Southern Maryland Experience / The Experience Dispensary has grown from its Maryland roots into a legal cannabis and hemp-focused retail brand with operations in North Carolina.

The company focuses on the legal, 21+ cannabis and hemp market, offering a curated selection of products while building a brand centered around cannabis culture rather than the traditional dispensary experience.

For Burnz, that business isn’t separate from his music. 

It is part of the story.

That connection can be heard throughout Burnz and Beyond, where cannabis references sit alongside themes of ambition, relationships, pressure, independence, success, and the realities of trying to build something from the ground up.

The Burnz and Beyond Rollout Begins

The album rollout begins with “Wax Wizardry,” arriving September 30, 2026.

Mixed and mastered by Crackle Kapone, “Wax Wizardry” introduces listeners to the cannabis-heavy atmosphere surrounding the project while showcasing the sound Stevieontay Burnz has continued developing as an independent artist. 

The rollout continues with:

“Married to Mary” — October 7 

“Terp Temple” — October 14 

“The Experience” — October 21

AND MORE TO FOLLOW!

Each release expands the world surrounding Burnz and Beyond, connecting Burnz’s music with the cannabis culture and entrepreneurial journey behind The Southern Maryland Experience. 

The project also follows a growing run for Stevieontay Burnz that has included independent media coverage, radio exposure, interviews, live performances, and continued expansion of his presence across streaming platforms and music media.

More Than an Album 

The title Burnz and Beyond represents exactly what Stevieontay Burnz is attempting to build. 

The music is one part of a much larger vision.

As an artist, Burnz is building his catalog and identity independently. As an entrepreneur, he is continuing to develop The Southern Maryland Experience as a recognizable cannabis-focused retail and lifestyle brand. 

Those paths now meet in Burnz and Beyond.

Instead of simply rapping about cannabis culture from the outside, Burnz’s music comes from someone actively involved in the industry — dealing with the long hours, risks, regulations, branding, customers, products, and constant pressure involved in building a legal cannabis business. 

That gives Burnz and Beyond a perspective that goes beyond cannabis references alone. 

It’s the soundtrack to the lifestyle behind them.

What’s Next for Stevieontay Burnz

With Wax Wizardry kicking off the rollout September 30, Stevieontay Burnz is entering the next stage of his independent career with new music, expanded media coverage, and continued growth surrounding The Southern Maryland Experience.

For Burnz, the goal isn’t simply to release another album or operate another dispensary. 

It’s to build an ecosystem where music, cannabis culture, entrepreneurship, art, and community can exist under one identity. 

And with Burnz and Beyond, those pieces are beginning to come together.

Follow Stevieontay Burnz on all major streaming and social platforms for the latest releases from Burnz and Beyond. 

Listen to Stevieontay Burnz 

Spotify: Stevieontay Burnz 

Official Website and EPK: Stevieontay.info

Cannabis Website: www.thesomdexp.com

HoodTrophy Bino delivers a multi-dimensional body of work balancing raw street authenticity with West Coast bounce and introspective vulnerability across 16 tracks. The project navigates mental health struggles, street paranoia, and emotional burnout on reflective cuts like “DRAMA KID” and “Lost It,” while effortlessly shifting into breezy California anthems like “Where U From” featuring RJMrLA and “Blind Somebody” featuring Spank Nitti James. Relentless street energy and heavy-bass production drive high-impact collaborations like “Beretta” featuring Tadoe, “Distraught” featuring Joe Moses, and “Bout That” featuring Philthy Rich.

Bino turns up the momentum for the night scene on bouncy, club-ready tracks like “Fell 4 It” featuring Baby Money, “Drip Drop” featuring Heaven Marina, “Pretty Bitches” featuring Stiff Barbie, and “Bad Bitch Party” featuring Luh Kel. KeyKinya lends a soaring hook to the resilient “White Flag,” while Rustah Jay and Xxtra join on the explicit late-night anthem “F*ck Me.” The project anchors itself in deep emotional weight toward the finish, confronting toxic relationship strain and personal loss on “Let You Know” and “Leave Me Alone” featuring Joe Moses, before closing on the melancholic, piano-driven “Tired of the Hurt” featuring Heembeezy.

Hoodtrophy Bino has a stacked lineup on the horizon, kicking off with a performance alongside Bravo the Bagchaser in Pomona on September 11th. From there, he joins Chief Keef on tour before hitting the road again in December with Luh Kel. HoodTrophy Bino has generated over 70 million combined views across platforms, anchored by viral hits like “Proud of You” featuring Chrisean Rock and over 80,000 active Shazams driven by “I Want Her” playing at LA Rams and LA Clippers home games. Beyond his chart traction, Bino holds 121 total film festival awards for his documentary “Breaking the Generational Curse” and “The Real” music video. He also stars on the reality TV series “Coming Up in Miami.” 

Tracklisting:

1. Drama Kid

2. Lost It

3. Fell 4 It ft. Baby Money

4. Where U From ft. RJMrLA

5. Blind Somebody ft. Spank Nitti James

6. Beretta ft. Tadoe

7. Distraught ft. Joe Moses

8. F*ck Me ft. Rustah Jay & Xxtra

9. White Flag ft. Key Kinya

10. Bout That ft. Philthy Rich

11. Drip Drop ft. Heaven Marina

12. Pretty Bitches ft. Stiff Barbie

13. Bad Bitch Party ft. Luh Kel

14. Let You Know

15. Leave Me Alone ft. Joe Moses

16. Tired of the Hurt ft. Heembeezy

From gang life to global stages, Hoodtrophy Bino’s journey is one of transformation. After meeting Soulja Boy while incarcerated and later joining S.O.D.M.G., he turned adversity into ambition — touring nationwide and sharing his story through the acclaimed documentary Breaking the Generational Curse. His recent performances include touring with Soulja Boy, appearing alongside him at Rolling Loud Los Angeles, opening for Trippie Redd at the Toyota Arena, and for Chris Brown in Las Vegas. Bino has also been featured on major platforms including The Breakfast Club, On The Radar, HotNewHipHop, Lyrical Lemonade, and No Jumper. Breakout singles “I Want Her” featuring Kalan.FrFr and “Falling For You” further solidified his national presence, earning airplay across SiriusXM The Heat, Power 106, Power 105.1, and 96.1 The Beat, among others.

HoodTrophy Bino has rapidly evolved from a local LA favorite into one of the fastest-rising independent voices out of the West Coast, cementing his shift into the global viral conversation. Across Instagram, TikTok, and YouTube, his content has generated multi-million-view moments and a reliably high engagement floor, underscoring a real audience rather than flash-in-the-pan virality.

Connect:

INSTAGRAM

TIKTOK 

There’s a moment in every villain’s story where you can still see the person he used to be. “814” is built around that moment – and everything that led up to it. 

The track centers on Dennis, better known as The Shadow, and asks a question that doesn’t get asked enough in  stories about men who turn dark: what if his pain was real, and he still became the villain anyway? 

This isn’t a revenge fantasy. It isn’t an excuse. It’s an attempt to hold two things that are usually treated as mutually exclusive – that Dennis was genuinely wronged, and that Dennis is fully responsible for what he did with that wound.

The Friend Who Knew Exactly What She Was Doing

Mandy never owed Dennis a relationship. Her rejection isn’t the betrayal – she has every right not to feel what he  feels. The betrayal is in what she does with his feelings once she knows about them. 

She keeps Dennis close. Close enough for the attention, the reassurance, the emotional labor he’s always willing to  provide – never close enough to give him what he actually wants. And when he tries to move on, she quietly makes  sure he can’t. Not because she wants him, but because she doesn’t want to lose what he gives her. 

Then she hooks up with Gabriel, Dennis’s best friend, and does it knowing exactly what that means to him. 

In Dennis’s mind, Mandy stops being a person and becomes a symbol: the woman who steps over the loyal man to  get to the reckless one she claims to dislike. The song isn’t arguing that this is how all women behave. It’s showing  how one experience, left to fester, becomes the lens through which a man starts judging everyone.

The Brother Who Chose Himself 

Gabriel is everything Dennis isn’t – confident, reckless, the guy women notice without trying. He knows Dennis is in  love with Mandy. He knows what acting on his own attraction to her will cost. He does it anyway. 

Mandy belongs to no one, and Gabriel’s choice was his to make. But brotherhood carries its own weight, and he set  it down for a night with the one person guaranteed to break his best friend. That’s the betrayal – not that he “took”  something, but that he knew exactly what it would take from Dennis and did it regardless. 

For Dennis, it confirms the worst thing he’s ever suspected about the world: loyalty doesn’t earn love. Patience  doesn’t earn respect. The guy who breaks the rules wins, and the guy who follows them gets left standing there. 

The Second Betrayal, and the Man Who Nearly Ends It

Milano was supposed to be the healing. Instead, she becomes the pattern repeating itself – close, then gone, choosing  a man named Coolie and leaving Dennis behind for a second time.

Years later, after Coolie turns abusive, Milano comes back. Not because she’s finally learned to value Dennis, but  because she remembers exactly how useful his loyalty can be. She tries to manipulate him into eliminating Coolie  for her. 

Here’s where the song refuses to make anything simple: Coolie did abuse Milano. That’s real, and he’s accountable  for it. But he’s innocent of the crime Dennis ultimately frames him for – Milano’s murder. Dennis picks Coolie  precisely because his guilt is already believable. Nobody has to be convinced Coolie is capable of violence; Dennis  just has to point. 

That’s what makes Dennis dangerous. He doesn’t need to invent the flaws in the people he destroys. He finds the real  ones and stretches them into justification for punishment that was never his to hand out. 

The Man Who Handed Him the Weapon 

Dennis’s real transformation starts at his lowest point, after a suicide attempt, when Dominick pulls him back and  takes him under his wing. What Dominick offers isn’t just survival – it’s a new way to see power. 

He teaches Dennis Machiavellian thinking as a tool for a specific, practical purpose: taking down a dangerous  enemy. And it works. But Dominick can’t see what’s happening underneath the strategy. For Dennis, manipulation  stops feeling like a tactic and starts feeling like a superpower – the first time in his life he isn’t the one waiting to be  chosen, waiting to be treated fairly. He can read people’s weaknesses now. He can lead them into traps they never  see. 

He falls in love with the control. What started as a means to an end becomes an identity. Dominick taught him to  think several moves ahead – and unknowingly gave a grieving, resentful man the tools to turn private wounds into  elaborate revenge. 

The Turn 

Nobody becomes a villain in one moment. Dennis is exploited, then betrayed, then taught – by every experience  before Dominick – that kindness is something people take advantage of. After his suicide attempt, Dominick gives  him a new identity built on strategy and control. And somewhere in there, protection curdles into domination. He  murders Milano. He frames Coolie and lets the system finish the job. And in a twist even Dennis doesn’t see coming,  an elderly witch who has been stalking him throughout Ritual III pulls Milano back from the grave and sends her to  him as an undead assassin -After Dennis realizes she’s a gift not a new threat he has the resurrected Milano whack 

Mandy & Gino. Every target genuinely wronged someone – Mandy exploited him, Gabriel betrayed him, Milano  tried to use him, Coolie abused Milano. None of that makes Dennis their judge, and none of it means the story is  done with him yet. 

That’s the line “814” is trying to hold: everyone in this story is accountable. Not everyone is equally accountable.  Dennis remains responsible for what he chose to become, no matter how real the wounds were that got him there. 

What This Is Actually About 

This song isn’t for men who want an excuse. It’s for men who’ve felt used, humiliated, replaced, or discarded by the  people they trusted most – and it’s telling them their pain is real. Being emotionally exploited is real. Having your  kindness read as weakness is real. Getting quietly discarded by someone who needed what you gave them but never  wanted you is real. 

None of that gives anyone ownership over another person. Rejection isn’t automatically betrayal. Pain doesn’t come  with a permission slip to punish, control, or destroy. A man can be a genuine victim in one chapter and still be the  villain of the next – and “814” wants to sit in that discomfort instead of resolving it. 

Dennis’s tragedy isn’t that he was hurt. It’s that he never let that hurt become anything but a weapon. He got addicted  to the one feeling manipulation gave him: never being powerless again. 

If you see yourself anywhere in this story, the message isn’t you were never wronged. It’s this: 

You may have been used. You may have been betrayed. You may have been pushed further than anyone around you  understands. Your pain is real, and it deserves to be heard. But you’re still the one who decides what kind of man  that pain turns you into. 

What’s Next 

Ritual III may be finished, but The Shadow isn’t done. “814” closes on the introduction of Nina – someone with no  ties to Dennis’s revenge, no connection to any of the deaths that came before her. She’s not an epilogue. She’s a door  opening on whatever comes next.

Listen to “814”: scapegoatmusic.com/814-video

 Explore the Ritual III series: scapegoatmusic.com/s-projects-side-by-side

Follow: Instagram · YouTube 

Contact: Thescapegoat92@gmail.com

Following years of publicly discussed music disputes, Wadena addresses her history with  Grammy Winner and Superstar Alicia Keys, creative campaigns she says were inspired by her own experiences, and why she’s choosing peace, prayer and music over a feud.

LONG ISLAND, NEW YORK— AUGUST 31, 2026— Wadena, also known as Denagirl, is celebrating her birthday with the surprise release of Wadena vs. Wadena: Back Outside, but this isn’t simply another music release.

For the independent R&B, hip-hop, pop and dance artist, the EP represents a return after years of personal challenges, music-industry controversies and obstacles that she says have tested her determination to continue building her career. “I didn’t quit. I was delayed. Now I’m BACK OUTSIDE,” says Wadena. “I’ve been through a lot, but I’m still here, I’m still creating and I’m hungry for this moment.”

WADENA AND ALICIA KEYS: “I WOULD RATHER SIT DOWN AND TALK”

Wadena is also choosing this moment to speak publicly about her long-running concerns involving Alicia Keys, including disputes and controversies surrounding their music careers that had already received media attention dating back to the period when both artists were affiliated with MBK Entertainment. Wadena says she believes situations involving her career and creative work have continued to feel adversarial, including similarities between promotional concepts  developed independently and campaigns that later received significantly greater exposure used by Alicia Keys. The same as her music was passed around the industry and the singer/songwriter never received the credits she deserved. While millions of dollars and awards were also earned by well-known celebrities through the creative contributions of Wadena.

However, the public did not know this until recently and pushed for the release of Wadena’s untold music story through her upcoming book. One example is Wadena’s no-makeup campaign, which she says was never simply a marketing gimmick. The campaign was inspired by her own survival and was intended to encourage women of every race, culture and skin tone to recognize their natural beauty—particularly women who have experienced domestic violence, difficult relationships, motherhood and other painful circumstances.

“That campaign was personal to me,” Wadena says. “I survived domestic violence and fought for my life. I wanted women to know that what happened to them doesn’t take away their beauty or their worth.”

“Wadena says independent artists often don’t have the millions of dollars available to major stars to turn an idea into a global campaign. Sometimes our creativity is our marketing budget,” she says. “When you’re independent, you create the concept, create the content and find a way to get people to see it. That’s why it hurts when you feel like your ideas are being taken instead of being recognized.” 

Wadena also points to her previous birthday releases involving music produced by Grammy Award Winner Zaytoven, including “Smoke-n-Chill.” She says Alicia Keys released music on the same birthday date during one of those campaigns, which Wadena experienced as another difficult moment within their complicated history.

Still, Wadena says she doesn’t want a public feud.

“I don’t hate Alicia Keys, and I respect what she’s accomplished,” Wadena says. “But I’m tired of carrying this situation. If there are still issues between us, I would rather sit down and talk about them. I’m not trying to take anything from her. I’m trying to build my own lane and my own fanbase.”

A CALL FOR INDEPENDENT ARTISTS TO GET THEIR CHANCE

Wadena says her experience has reinforced a larger belief: the music industry needs to make more room for independent creators.

“There is room for everybody,” she says. “Established artists can be successful while independent artists get an opportunity to grow. You don’t have to tear somebody else down for your light to shine.”

She also believes artists should embrace new creative tools responsibly rather than allowing fear or competition to prevent innovation. “Music is always evolving. Artists should be able to explore new ways of creating while keeping their own voice and vision at the center.”

A BIRTHDAY CELEBRATION AFTER LOSS

The EP’s birthday release carries an especially emotional meaning because Wadena and her mother share the same birthday.This year, they celebrate while continuing to grieve the loss of Wadena’s father. Wadena had also stepped away from her music campaign because of a family medical emergency, creating an unexpected delay in the EP rollout.

“We’re still grieving, but we’re also grateful to be here,” she says. “This EP represents another year of life, another chapter and another reason not to give up.”

THE MUSIC ALREADY HAS MOMENTUM

Wadena enters this new chapter with a growing independent catalog.

“Smoke-n-Chill,” produced by Zaytoven, has spent more than 50 weeks on the Upcoming 100 music charts and has generated more than 150,000 streams. “Glad I’m Over You (Hood Love)” has reached 52 weeks on the Upcoming 100 music charts, with a new remix featuring Mr. Hood included on the EP.

Now Wadena is asking listeners to help take the project even further through her #PlayWadenasMusic campaign.

“I’m not asking anybody to choose sides,” Wadena says. “I’m asking people to listen to the music and make their own decision. If you connect with it, stream it, save it, share it and become part of the journey.”

Wadena vs. Wadena: Back Outside is OUT NOW on major streaming platforms.

THEY MAY HAVE DELAYED THE MOMENT.

BUT THEY DIDN’T TAKE THE MOMENT AWAY.WADENA IS BACK OUTSIDE.

#WadenaVsWadena #BackOutside #PlayWadenasMusic #Wadena #Denagirl #IndependentArtist #SupportIndependentArtists

Fresh off earning this year’s TikTok’s “Content Creator of the Year Award,” the Jasper Boyz bring their global audience and more than 2.5 billion collective streams to “New Chick,” a high-energy collaboration uniting three of the music world’s fastest rising creator talents. “New Chick” channels the bounce and attitude of early-2000s R&B and pop-rap, blending a catchy groove, punchy 808s, crisp handclaps, and sharp vocal production. Jasper Boyz deliver smooth, bouncy verses and an infectious hook, paired with Lani Love’s breezy R&B and Nova Starr’s punchy, staccato rap style. Together, their contrasting voices create a playful back-and-forth on fresh romance that results in a confident, flirty, feel-good summer anthem.

Jeremiah, Jairus, and Malachi of the Jasper Boyz are actively shifting the paradigm of youth culture by proving clean, high-energy content can drive massive global engagement. Their multi-hyphenate approach across acting, dance, and recording sets a new benchmark for Gen Alpha artists. 

Jasper Boyz is one of the fastest-rising youth entertainment brands in the world, consisting of three talented brothers – Jeremiah, Jairus, and Malachi – who have captured the attention of millions through music, acting, dance, comedy, and digital storytelling.

What began as a passion for entertaining has evolved into a global movement that connects with Gen Alpha audiences through positive, engaging, and family-friendly content. With a unique ability to blend music, viral content, original series, and live performance, Jasper Boyz has established themselves as a powerhouse within the youth entertainment space.

Collectively generating more than 1.5 billion streams and views across platforms, Jasper Boyz reaches over 200 million viewers each month and has built a loyal community of more than 2.3 million followers worldwide. Their influence extends far beyond social media, impacting youth culture through music releases, viral trends, storytelling, and live experiences that resonate with audiences across multiple countries.

The group’s accomplishments include earning the prestigious title of TikTok “Content Creator of the Year,” being recognized as “Best International Group,” and winning two International Awards. Their continued growth has led to opportunities in commercials, brand partnerships, school tours, community events, television opportunities, and major live performances.

Beyond the numbers, Jasper Boyz represents a new generation of creators proving that young people can inspire, entertain, and lead on a global scale. Their content promotes confidence, creativity, positivity, teamwork, and self-expression while maintaining a strong commitment to family-friendly values.

Today, Jasper Boyz stands at the intersection of music, content, culture, and influence, building a scalable entertainment brand designed for the next generation. This next chapter is spearheaded by their recent single “Drip Too Lit,” an infectious, feel-good anthem that celebrates streetwear, sneaker culture, and the swagger of young creators leveling up together. Expanding that momentum, “New Chick” pairs the group with breakout talents Lani Love and Nova Starr, delivering a bouncy, 2000s-inspired R&B and hip-hop collaboration packed with effortless charisma, sharp back-and-forth vocals and radio-ready energy.

More Than Creators. More Than Artists. Jasper Boyz is a global youth entertainment brand with proven influence, powerful engagement, and over 1.5 billion streams and views. Music. Content. Culture. Influence. One Brand. One Movement. Jasper Boyz.

Connect:

TIKTOK

INSTAGRAM

YOUTUBE

Multigenre artist brings R&B, hip-hop, pop and dance together for a bold new chapter

LONG ISLAND, NEW YORK— AUGUST 28th, 2026— Independent singer, songwriter and multigenre artist Wadena, also known as Denagirl, is officially stepping BACK OUTSIDE with her highly anticipated EP, Wadena vs. Wadena: Back Outside.

Blending R&B, hip-hop, pop and dance, the project showcases different sides of Wadena’s artistry while celebrating confidence, transformation, independence and creative freedom.

The EP’s release follows an unexpected pause in Wadena’s campaign after a family emergency required her to step away from music and social media.

“I had to step away, but I didn’t stop creating,” says Wadena. “I was hungry for this moment, and I knew I had to finish what I started. Now I’m back outside.”

BUILDING ON REAL MOMENTUM

Wadena isn’t returning to music empty-handed. Her independent catalog has already generated significant momentum.

“Smoke-n-Chill,” produced by Zaytoven, has spent more than 50 weeks on the Upcoming 100 music charts and has generated more than 150,000 streams. Meanwhile, “Glad I’m Over You (Hood Love)” has now reached 52 weeks on the Upcoming 100 music charts.

The new EP features another version of “Glad I’m Over You (Hood Love)” featuring Mr. Hood, giving listeners a fresh take on a song that has continued to connect with audiences.

A SPECIAL BIRTHDAY RELEASE

The EP also carries deep personal meaning for Wadena because she and her mother share the same birthday.

“We’re celebrating our birthday together while still grieving the loss of my dad,” Wadena says. “It’s emotional, but it also reminds me to celebrate life, family and the opportunity to keep moving forward.”

For Wadena, Back Outside represents resilience—turning a difficult chapter into motivation to continue creating.

CREATIVITY, INNOVATION AND UNITY

As the music industry continues discussing emerging technology and creativity, Wadena believes new tools can help artists explore new possibilities while keeping the artist’s vision at the center.

That philosophy comes as legendary producer Dr. Dre has recently spoken publicly about experimenting with AI and emerging technology as creative tools.

“Music continues to evolve,” says Wadena. “Artists should be able to explore new tools that enhance creativity while keeping their own voice and vision at the heart of the work.”

Wadena is also calling for greater support among artists and creators.

“There’s room for everybody,” she says. “Established artists and independent artists can build their own lanes without tearing each other down. I want to see more collaboration, creativity, positive energy and peace.”

JOIN #PLAYWADENASMUSIC

Wadena is inviting fans, friends, DJs, creators and music lovers to join the #PlayWadenasMusic campaign.

Fans can support the new era by streaming the EP, saving songs, adding tracks to playlists, sharing videos, creating content and introducing Wadena’s music to new listeners.

“I’m not looking for people to listen once and disappear,” Wadena says. “I want to build a real community of people who connect with the music and stay for the journey.”

Following the EP, Wadena plans to release individual singles and visual content from the project. She will also continue the campaign with the standalone “Bum Busta Remix” featuring Zaytoven.

WADENA VS. WADENA: BACK OUTSIDE

SAME GIRL. DIFFERENT ENERGY.

ABOUT WADENA

Wadena, also known as Denagirl, is an independent singer, songwriter and multigenre recording artist creating across R&B, hip-hop, pop and dance.

With a bold visual identity and an evolving sound, Wadena continues to build her own lane through music centered on confidence, relationships, transformation and real-life experiences.

Wadena vs. Wadena: Back Outside marks the beginning of her next chapter.

SHE WASN’T GONE. SHE WAS GETTING READY.

WADENA IS BACK OUTSIDE.

#WadenaVsWadena #BackOutside #PlayWadenasMusic #Wadena #Denagirl #IndependentArtist

Connect:

Website: www.wadenanow.com

Instagram: https://www.instagram.com/denagirl1?igsi=M2MyOWVidzlhaHVv

Facebook: https://www.facebook.com/share/18AXZdsLWM/

Tiktok: https://www.tiktok.com/@wadenapyatt?_r=1&_t=ZP-99EH2wLA6Pv

Youtube: https://youtube.com/@wadenanow?si=ouEGAev3FMwx_cvj