Straight from Ugly Faces Entertainment is the most explosive World record you will hear all year. Defying the patriarchy of her continent’s music circuit, Elly The 22 has released “Candy”; and established the prowess of female energy by doing so. As fun and commercial as this Afrobeat single is, it is likewise evidence of tremendous talent on Elly’s part. Singlehandedly, this Ghanan artist brings both singing and rapping to the table; and annihilates both with flawless precision. After clever, bar-heavy verses, she lunges into an impeccably melodious chorus. One that eternalizes the spirit of summer, with its vibrance and torrid captivation. “I want that candy, yeah!” This song is a catchy celebration of love and attraction, totally embodying the dint of emotions you feel when that special someone crosses your path. Currently, “Candy” is the sweetest thing on international airwaves. Once you get a taste of Elly The 22, and her latest creation, you’ll swiftly return for more.
The death of Maddie Finch, in the first hours of the new year 2018, shook the quaint suburb of La Harpe, Illinois in ways we can not adequately convey. When she was fatally shot inside of her home, the entire, Hancock County mourned. So strongly, in fact, that their grief stretched to the metropolis of Chicago, where an extraordinary emcee was moved to pay homage. That extraordinary emcee is Zip Dot; and that payment of honor is the video to his poignant, new opus— “Used To”.
This record braves such a command over introspection and heartbreaking emotion that few will be able to contest its overwhelmingness. A melancholic ripple of rhodes chords is peppered by the tap of kicks and rimshots; over which, this Baltimore-born, Naperville-repping rapper, floats with lyrical supremacy. With subjects ranging from thoughts of self-harm, to broken romances, and Zip’s untouchable faith in rap, “Used To” is a fantastically vulnerable record. It is the epitome of openheartedness, with a video whose tribute does it even more justice. For Zip Dot, Maddie Finch, and the Stop The Violence movement as a whole, give “Used To” a spin; and stay alert for the next drop this amazing emcee has in store.
“Riding through the city, I move slowly now...” when Legendz Gc utters this bar, in the midst of a bouncy, electronic melody, it resonates amazingly. Likewise, when Drake’s co-signed talent, Chromazz, adds her featured spin to this hook, its catchiness grows tenfold; making this latest drop, “Ride” downright irresistible. The record is threaded with a tropical, dancehall beat and hip-rolling 808s. Stitching those threads together, are the stunning performances of Legendz Gc and Chromazz themselves. Mercilessly, they ravage the instrumental; spitting barrages of bars at the drop of a verse. Where Legendz Gc asserts his dominance over the Montreal Hip-Hop seen with a charismatic verse; Chromazz proves to wield one of the most infectious deliveries and flows in Toronto. Together, they give The North another summer banger. One that— through its incredible Caribbean beat, bar-heavy verses, and contagious, sing-song chorus— will have every club in Canada bouncing in sync.
“Putting People On Game” is the only podcast wherein Chief Keef playing the piano, Dallas club culture, durags, Weezer and unisex barbershops can combine to form one, seamless conversation. That is because its hosts, Young Thirsty and Serious J Walker, are naturally, tremendous talkers. Their episodes typically span between two to three hours; and for this entire runtime, the Dallas natives will have a vice-grip on your attention. You will howl with laughter at their chronicles of everyday life, and listen keenly to their outtakes on music and pop culture. Every moment with these two (along with their panel of other, enthralling guests) will thoroughly entertain you; whilst feeling novel at the same time. There are zero dry-spots on “Putting People On Game”, and considering their runtime, this fact alone deserves immense praise. “Organic conversations that challenge mediocracy...” is the first sentence in their description; and as a synopsis it is perfect for what these talented podcasters have to offer. If you are a fan of shows such as “The Joe Budden Podcast”, “Bodega Boys”, and “Is The Mic Still On”, then you will absolutely enjoy “Putting People On Game”. It is two hours of endless entertainment by Dallas’s top conversationalists.
Welcome to Swaggagascar, where there are miles and miles of lyrical peaks, trippy valleys, and sonically crafted trap landscapes. With new explosive mixtape "Swaggagascar" the New Mexico rapper, Heetroc, has discovered a hidden dimension of dopeness! The 21-track project is hand grenade of newage hip-hop with playful effects, richly developed space-age autotune vocals, and slapping beats produced by Heetroc himself. Enjoy the new full project "Swaggagascar" and read more about Hefe Heetroc in the bio below.
Justin Bacik, better known as Hefe Heetroc (stylized as HEFE HƏƏTROC) and formerly known as Wez Nilez, is an American rapper from New Mexico. His musical style has been described as a fusion of hip-hop, glitch-hop, and vaporwave, amongst other styles. He grew up in Rochester, NY, moving to California and then Albuquerque, New Mexico. His musical pursuits began by studying guitar at age 19, and at age 27, he shifted his focus towards hip-hop. He has collaborated with fellow emcee Loose Logic, his music has been featured on numerous blogs such as Thisis50, and his single ‘Space Energy’ has been aired on WRIU FM by Dj Padrino.
Michael Dean wastes zero time unleashing the dint of his skills upon us, with his vicious new cut, “Strike”. Much like the verb this song’s title references, over the aggressive stomp of 808s, chatter of hi-hats, and steady trap snares, our Orange County emcee lyrically lashes out. He is direct and dominant on this record; bending his bombing bars and unique flow to fit every bounce and pocket the beat conjures. This poised, indomitable energy translates tenfold into “Strike”’s visual, where Michael Dean can be seen striding confidently through various parts of a luxurious villa. Not once does his eyes, burning with an undeniable passion for rap, leave you. He stares unbreakably into the lens, as he spits his rhymes through the mix. Rhymes that, when matched with the rush of “Strike”’s instrumental, make it the show-stopping banger it is. California has always been a mecca of Hip-Hop, known for bringing legends and sub-genres into our ever-growing, musical culture. With this record, we know a future prince of the West Coast is just waiting to “Strike”. Waiting to make his mark on the legacy of his state.
Demons. We all fight them. Young or old, black or white; no matter who we are, or where we come from, each one of us can relate to this skirmish with the dark side. Forces that push us to do wrong, despite our hearts knowing what’s right. Of all of us, Terock may be the utmost familiar with this plight; and his poignant new banger, “Demons”, distinctly attests. Certainly, the darkness that this Florida rapper has faced throughout life has been unspeakably staggering; however, it is no match for the sparkling tines of this track’s melody. A brightness shines through “Demons”’s instrumentation, complimented by the bounce of 808s, kicks and trap snares. Brilliantly, Terock uses this canvas to paint a picture of his own internal strifes. His voice runs in broad, passionate strokes across the mix; confessing bravely to depression and suicidal thoughts that have plagued him longer than we will ever know. Nevertheless, even in the face of these hardships, this outstanding Southern emcee knows exactly who holds his key to victory: God. In that sense, “Demons” is a four-minute, modern-trap prayer to the Most High. One that expresses his regret for inviting the Devil into his life; and remembrance of God’s power to save him. It is a banger that carries its weight in spiritual gold; especially when you absorb every word he’s spoke.
Listen closely to the lyrics of Papalee, and you will feel as if he is narrating your life. That is how relatable his slick rhymes, over arcade-esque melodies, and easy delivery, over throbbing 808s comes off. To say the least, this Philadelphia artist is stylistically tasteful whilst remaining tranquilly visceral; qualities that make “Just A Matter Of Time” the album-of-the-summer contender that it is. For, it is undeniable that this album is teeming with hits. Every record within the scope of this ten track release— which sees features from Datslucy, ROLLO, SZN, Jacquie Joshua, Hooligan the Demigod, and Har— is radiating with starpower. They highlight not only Papalee’s versatility; but, likewise, the rapper’s ability to create surefire bangers in any form he pleases. From the heart-rending, melancholic ballad of an intro, “Stuck In My Ways”, to the party-ready thumpers “Know The Game”, “The Woahh”, and “Come From”; as well as the trap romance of “Queen” and “On Ur Mind”; each song brings a fresher and more exhilarating sound than the last to the overall body of work. All the while giving us a glimpse into a young man’s life, unfolding night by night, in The City of Brotherly Love. While the instrumentals of this extended-play will make it unfathomably trendy; the lyrics of Papalee himself will set it far apart from its contemporaries. This artist does not make music for the sake of making music. He views the microphone as a tool for bearing his soul; and it is “Just A Matter Of Time” before that artistry is spread across the globe. Press play, and watch the glow of Philadelphia’s new hope.
Baton Rouge, Louisiana rap artist Young Bleed returns with his latest album titled Wut' Uh' Life, via Trap Door Entertainment. The album serves as the eighth studio release since his 1998 breakout debut, My Balls and My Word, on No Limit Records. The title track kicks things off in the right direction as Bleed’s signature laid-back flow pairs well with the booming production, letting long-time fans and newcomers know that he’s still standing strong. Playing with different styles throughout Wut’ Uh’ Life, the seasoned emcee doesn’t hesitate to deliver rapid-fire bars on tracks like “Wet” but also knows when to slow it down like on “Say Dat’ Den” and “Luv Luv Luv.” On the dope posse cut “Hard Work Pays Off,” Bleed isn’t afraid to share the mic with a slew of artists such as Rush 1K, Tha Homie Jai, Chucky Workclothes, Skye Pachino, and Omega Legacy. Other featured guests on the album include Ty’gee Ramon, Big Tray Deee, Celly Cel, Kingpin Skinny Pimp, Pastor Troy, Mers, and Marcus Kelly. Tracks worth mentioning goes to the introspective, bass-heavy “Soul Of Uh’ Mane” and the soulful, nostalgic “Wut’ Uh’ Life (Da Prequel).” Definitely worth checking out, stream Young Bleed’s Wut’ Uh’ Life on Spotify today.
Growing up in Miami, Florida, Mr. Walkinlick has nurtured an unbreakable relationship with water. As tides of both setback and success washed into the Floridian’s life he kept his eyes on the tides of the Atlantic; knowing his wave would rush upon the city soon. If his latest single is any account, that wave is finally among us, and Mr.Walkinlick is “Splashing On Purpose” in triumph. The product of over a decade spent honing his craft, since days enrolled in North Miami High School, “Splashing On Purpose” is overflowing with mainstream potential. The seraphic vocal of a female sample, winged by the melody of pristine guitars, leads the four-minute, summertime banger. Eventually, the Stack House Entertainment signee himself is baptized within the ocean-like production; delivering a relaxed, Miami-accented chorus over titanic percussion. Mr. Walkinlick uses “Splashing On Purpose” to celebrate his current success, and prophesize even more prosperity. Over hats, snares and 808s, the Southern rapper delivers the ideal anthem for each and every one of us who are out here, and undeniably on our grind. This single is as motivating as it is luxurious; and if Mr. Walkinlick’s determination is anything akin to what his lyrics present, it is destined to chart. Press play, dive in, and try not to drown to your new, summer banger— “Splashing On Purpose”.
International artist, Bo Fleek and #squad never cease to excite. This time he is featured on a certified trap banger "Ran Thru" with on-the-verge ATL rapper, Sliq B. They talk bout meeting with the plug in Cancun and stopping off to run a train on ya main gal. The song is the best of both world with the smooth and calculated metaphors and new-age flow of Sliq and the rambunctious comedic consciousness of Bo Fleek! If you enjoy high energy rap with an absolutely slappin' beat, check-out "Ran Thru" today.